“Well, it’s rather brutal here. Our recommendation is all of our clients to commit their entire holdings into canned food and shotguns.” That bit of shrewd guidance comes from the Brain Gremlin – a genetically modified, talking, spectacled member of the oozy monster mob that infests Manhattan’s super-smart Clamp Tower skyscraper in filmmaker Joe Dante’s unhinged continuation Gremlins 2: The New Batch. Superficially, it’s merely an investment tip from one monster to another. However, in a strange manner, it’s also pretty solid life guidance. Truly, hear me out.
When things go bad, the most counterproductive action you can do is view events with undue solemnity. The Brain Gremlin comprehends this. Indeed, a large portion of the toothy monsters that populate Dante’s wild 1990 film (debateably his greatest) possess the same knowing, self-referential comic sensibility regarding the blurry line separating daily routine and pure pandemonium. It’s a particular aspect of Gremlins 2: The New Batch that maintains my loyalty – and with the passage of time, it’s the underlying idea that echoes the loudest.
Of course, my attachment to this movie did not begin on such an introspective level. In my youth, we were limited to a few scratched-up video tapes at home. Included within that collection were Gremlins and its follow-up, the latter housed in a chunky ex-rental box likely purchased from an off-brand video shop and sporting grimacing beasts on its knackered cover. I was immediately enamoured and these films quickly proceeded embedding themselves inside my young, susceptible psyche. From then on, they became an almost-daily part of my early years entertainment regimen.
Dante’s original commonly garners all the praise, thanks primarily due to its legacy as a partly frightening holiday classic – and don’t get me wrong, I’ve watched Gremlins more times than I can count. That said, its successor rarely gets the same level of elevated esteem, which feels a travesty. As a kid, I’d always seize the chance to watch Gremlins 2. During long summer holidays, I’d lock myself inside and stick it on. When I acquired my personal TV-VHS combo unit, it stayed in constant rotation in my bedroom. Gradually, it etched itself permanently in my psyche. If my parents observed this fixation, they gave no indication of concern.
As I got older, new understandings enhanced multiple watches, amplifying the pleasure of watching diminutive verdant beasts happily vandalize a New York high-rise. I learned the ahead-of-its-time development mogul and Clamp Tower owner, Daniel Clamp (John Glover), was based squarely upon the later-to-be-president Donald Trump, with his auburn-haired worker Marla (Haviland Morris) referencing his second wife Marla Maples. Fortunately, Clamp demonstrates more humanity than his actual-world equivalent.
The “end of civilisation” video Clamp plays during peak-Gremlin chaos? I discovered it was inspired by a real-life “Doomsday” video commissioned by the CNN boss Ted Turner should the world truly faced apocalypse. I noticed how Dante made a special effort to film different iterations of a self-referential segment where Gremlins take over the actual feature in progress. An edit for movie houses, another for home video and television, each providing a grinning portion of meta pop-culture magic before the term was even a thing.
While it was effects expert Rick Baker’s wonderfully grotesque creatures that captured my attention as a child, this deeper gold kept me hooked as an adult. Eventually, I even conversed with Dante about it myself and he had no hesitation telling me he made the movie with the express purpose of ridiculing those who loved its goofy-but-heartfelt predecessor and craved further installments. “We were going to make fun of the fact you came to see it,” he cheerfully disclosed. This cartoonish insubordination and determination to not take his sequel as seriously as his Warner Bros bosses clearly wanted him to, only deepened my appreciation further.
When I endured a unexpected loss in the family recently, I was astonished to realize that, during my deepest grief, all I desired to do was sit and watch Gremlins 2: The New Batch. Odd, no? Perhaps not. The nostalgic calm it provided was needed to weaken my mind’s grief morass – but the perspectives it had bestowed upon me as an adult were similarly beneficial.
Like Gremlins running amok in a genetics laboratory, there’s some things in life you just cannot manage. Dante is aware of it. The Brain Gremlin knows it too. Sometimes, you have to follow their example: embrace the chaos, invest all your resources into preserved goods and firearms and try not to view the world with undue solemnity.
It’s robust worldly wisdom from a very unlikely source – and it’s why Gremlins 2: The New Batch will eternally stand as my comfort movie.
A tech futurist and AI researcher with a passion for exploring how quantum computing intersects with everyday digital solutions.